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Ahead of his time, as usual, Whitman declares the importance of body language. Today we understand that the way we behave with our full bodies is a huge part of how we communicate.

The verbal component of a face-to-face conversation is less than 35%, and over 65% of communication is done non-verbally.

That’s why the body balks account – a linguistic account can only communicate a small fraction of what the signifié is.

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What is this?

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This may have been an original creation of Walt’s – the first search results for discorrupt take us right back to his poem without much of a definition, and the ngram viewer (a digital humanities tool that graphs the yearly count of selected words as found in over 5 million books digitized by Google) shows no mention of the word until this poem.

With this language Whitman explores the physical and chemical processes that were being studied and discovered in his time. The poem suggests that the science that applies to everything else applies to humans just as well. And if there’s a way for people to become corrupt, it must be through a reversible physical process, meaning discorruption is just as possible.

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What is this?

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It is perhaps ambiguous whether the “body” is the isolated, corporeal body of the speaker or something more broad and populous–a body of people.

Here an electrical word is chosen: charge. But that charge is seen to course through a body of people, suggesting the latter possibility.

Again Whitman appropriates the science of his time as a new way to talk about people, to talk about bodies. This poem’s first version was published in 1855 and much revised in subsequent editions of Leaves of Grass. The first practical batteries were invented in the 1830s, when different European chemists learned how to harness electricity in cells for later use. The first rechargeable battery was invented in 1859.

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What is this?

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What is this?

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“Blood and Gore” is a typical part of the horror genre in which both King and Poe write. Basically, Stephn King claims his stories are scarier to readers.

“Lore” is a fictional story, and the word echoes back to Poe’s “volume of forgotten lore.” In fact, the end-rhyme in this section (the “-ore” sound) is the one that Poe used mostly in “The Raven.” Poe defends the repetitive use of this rhyme scheme in his essay, “The Philosophy of Composition.”

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Is this another version of Burrr? Instead of the sound of a freezing shiver, this onomatopoeia is reminiscent of a speeding car coming to a screeching halt – something went wrong!

The message appears when RG is temporarily down. It means something failed, so it’s the opposite of skoooooorRG.

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From Professor Nasrallah:

The day the course launched was astonishing—like drinking from a fire hose. The edX discussion threads couldn’t handle the amount of people who were commenting, and crashed and slowed down. More people participated on Poetry Genius that day than ever before—the apostle Paul beat out Beyonce!

https://twitter.com/lnasrallah/status/420382588004364288

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Zach Sherwin is best known for his work on Epic Rap Battles of History, or ERB. His solo work is just as interesting though—his YouTube channel’s trademark is themed around rap songs that only make sense along with the video.

Zach Sherwin used to go by a stage name, calling himself MC Mr. Napkins. His old YouTube channel is here.

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What is this?

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Beverly Cleary is an American author who wrote children’s literature.

If King’s scary thrillers are as eerie as her books, they’re not scary at all!

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What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

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The Pit and the Pendulum” is another one of Poe’s short stories.

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