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On a most basic and literal level this could be a story about a woman having an illicit love affair. But this is clearly too simplistic an interpretation.

The sickness is not only physical — particularly sexually transmitted disease — but also moral or spiritual sickness. This is a poem about sex and its morally corrupting dangers.

Note the abrupt and perhaps unsympathetic ‘thou art sick’ with the exclamation mark. This suggests something deeply serious.

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The UK #HipHopEd manifesto is the result of lengthy discussions between a range of MCs, teachers and academics. It attempts to distil our shared beliefs in Hip Hop and Education, creating an ethos for the Hip Hop educator to share. It draws on the elements of Hip Hop and educational ideas such as critical pedagogy to create a unique outlook on education.

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Tragedy is also a famous song by Steps.

http://www.youtube.com/watch?v=OiwDHHcHPh0

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This blog comes at a time when Leeds United appear to be on the rise. It explores the club’s history, the legacy of the Bate’s years, the context of their downfall, and the author’s hopes for a brighter, United future.

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The system works perfectly.

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An allegory.

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A response to the British Government’s ideological attacks upon the working classes.

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Wonderfully oxymoronic, this phrase shows Blake’s feelings towards the institution of marriage, which he felt was another form of religious control curtailing the natural impulses of humanity.

This phrase also suggests the prevalence of death from diseases and the double standard that came with marriage at the time. Women were expected to remain “clean” and “unspoiled,” yet it was the philandering of the men who were not held to the same standards that caused marriage to become a “hearse” because of diseases caught from “youthful harlots.”

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The harlot’s curse from the line before even sullies the cry of the innocent. Babies born to syphilitic mothers (who had been infected by husbands who frequented brothels) had painful seeping eyes. Of course, new born babies cry, but Blake is suggesting that even this is connected to the oppression endured by those living in London— through syphilis and sexually transmitted diseases that found their way into the “marriage hearse”, connecting the sex trade to the bonds of wedlock and childhood.

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The acrostic that runs down the first letters of the lines in this stanza makes up the word ‘HEAR’. This could be a call to all those in authority to listen to the complaints and cries of the populace. Or else, those with power and money who have been an integral part of the system that wrought such suffering on people, may indeed be able to hear but choose to do nothing about it.

Blake envisions beautiful revolution, the soldier’s blood a symbol of the people fighting back against their monarchical oppressors–visions inspired by the French and American Revolutions and independence movements.

The “blood down palace walls” may refer to the corrupt European governments of the Romantic era. Those who were oppressed under the monarchy and powerful financial interests shed blood. Examples of those harmed and killed by the government are mentioned in the previous three lines. For example, the “hapless soldier” perhaps died because of corruption or mismanagement in the government and the military. Blake accuses the monarchy of wasting lives on causes that have no meaning for ordinary people.

The “palace walls” form a barrier between the rich, privileged men in power and the poor soldiers. In a corrupt military system the ‘leaders’ refused to take responsibility for the death of the troops.

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