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Um aus trostlosen Realität aus zu brechen herrscht das lyrische Ich lieber über seine Untertanen, wie Wald und Meerestiere

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Laut des lyrischen Ichs muss ein Führer einschüchternd wirken, damit es sich den nötigen Respekt verdient, den es brauch um zu führen.

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Das lyrische Ich zeigt Zeichen der Verwirrung. Einerseits ist es sich nicht sicher ob es gehorchen oder führen möchte.

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Eine Analyse einzelner Zeilen und kurze Interpretationsansätze, dazu Querverweise zu anderen Werken Nietzsche’s.

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…welches beim lyrischen Ich einen Beschützerinstinkt auslöst.

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Das Spiegelbild tragen hier Züge von einem Kind, welches Unschuld vermuten lässt…

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Die Augen haben nur noch einen toten Glanz, was dazu führen würde, dass das lyrische Ich weit fort von dem Spiegelbild rücken würde, da dieses ihm Angst einjagt. Auch der Mund löst bei dem lyrischen Ich zwiespältige Gefühle aus.

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In diesen Versen betrachtet das lyrische Ich das Gesicht des Spiegelbilds genauer und beschreibt es und sein Verhalten im Falle eines Heraustretens. Hinter der Stirn leisten die Gedanken lediglich Frondienste „[w]ie Knechte“

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Es erkennt, dass sich in dem Gesicht ein seltsames „Doppellicht“ befindet und ist sich auf einmal nicht mehr sicher, ob es, wenn das Spiegelbild aus dem Spiegel käme, es „lieben oder hassen“ würde.

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