Who’s begging the police to protect us from ISIS?

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bell hooks on Lemonade

[T]his is a vital and essential stage of freedom struggle, but it does not bring exploitation and domination to an end.

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Yes!

Although… does Lemonade not represent an evolution in Beyoncé’s brand of feminism? This new album approaches this radical and intersectional resistance more closely (though, according to hooks, not closely enough) than the feminism Beyoncé claimed with her self-titled album in 2013.

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Is this true, even excised from its context here? I can think of commodities produced for selected audiences for a number of reasons (exclusivity, authenticity, etc) that don’t stand at odds with but rather support the capitalist goals of production.

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