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Tennyson said that “Crossing the Bar”, his iconic poem about death, “came in a moment”. Picture this: dying … is like … putting out to sea. So simple, right? And yet so darn true.

Tennyson wanted this poem put at the end of all editions of his poetry, for finality’s sake.

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What is this?

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“The Professional Poet” is a sideways look at the ways poets get their inspiration. Do they sit in all day reading Byron? Do they go out into the fields and pick flowers? Nope: they just take your good old darkest secrets, put them into rhyming metre, and publish them for the world to see …

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What is this?

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Your mom is strong but ugly – she’s missing one breast and it’s replaced with a glass one – and even though she’s hideous, she’s still nice because she fills the glass breast with everyone’s favorite flavored drink for the neighborhood children.

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A little fragment of Old English poetry which snuck its way into the Bodley 343 manuscript, “The Grave” is a swell example of the Anglo-Saxon obsessions with death, judgement, worms, and all things nice. Some people think it’s part of a longer poem, but it actually works pretty well on its own.

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i.e. Pregnant. ‘Big with child’ was a common phrase in English-speaking countries until the 19th century, although it’s now mostly restricted to the Caribbean and some areas of the USA.

Nothing to do with this guy:

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Corvus, or “The Raven”, is a constellation.

In one story, Corvus was a raven whom Apollo sent to get him some water. Instead Corvus waited for figs to ripen. Much like Sweeney.

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In the middle of Sackville Street there’s a statue of Sir John Gray, an Irish Protestant who edited and owned the Freeman’s Journal, and who supported land reform.

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The food here is typically exotic, and its abundance — emphasised by Eliot’s lack of punctuation — is a nod to Sweeney’s physicality. He’s all flesh; unlike the heroic Agamemnon, who’s driven by higher ideals than gorging on food.

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The English name for the Río de la Plata, a large estuary in South America. It’s exotic, sub-tropical – a pretty appropriate place for the moon to be thinking on here.

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What is this?

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Alas, I am struck deep with a mortal blow.

So says Agamemnon in Aeschylus' Agamemnon, struck dead by his wife Clytemnestra.

“Sweeney Among the Nightingales” is also about a murder, and this epigraph sets up the pattern of neo-Classical irony that runs throughout the rest of the poem. Sweeney is a mock-heroic figure – he has not, like Agamemnon, fought bravely at Troy, but has instead, as described in ‘Sweeney Erect’ ignored a woman’s epileptic fit.

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