Collisions can be pretty chaotic, especially where love sonnets are involved. That’s mirrored in the proliferation of oblique slashes here, which are usually a way of signalling alternatives – so that “//” gives you an alternative as an alternative, but nothing definite.
As if that weren’t confusing/chaotic enough, the shorthand for ‘with’ is “w/”, giving you a slash which could itself mean either of two alternatives.
What’s more circuitous than brackets?
The meaning of “circuit” here is partly “a round-about journey or course” (meaning 3.b. in the OED) and partly the idea of an orbit, like planets. The latter definition’s brought into play by the next line.
Askance to watch the working of his lie
On mine, Robert Browning – "Childe Roland to the Dark Tower Came"
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“Askance” literally means ‘sideways’, although where eyes are concerned it’s come to mean ‘suspicious’ or ‘disdainful’. There’s a mix of these ideas here: the cripple is watching disdainfully to see if Roland bites the bait of “his lie”, looking out of the corner of his eye so that Roland doesn’t know he’s looking – though of course Roland spots it.
