What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Justin is joining a long literary line of reflection on spring rain (there’s also the well-known proverb, “April showers bring May flowers”).

Back in the 1380s, Geoffrey Chaucer opens his Canterbury Tales:

Whan that Aprille with his shoures soote,
The droghte of March hath perced to the roote,

Some centuries later, T.S. Eliot would start his poem The Waste Land with these lines:

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.

Like Justin, Chaucer and Eliot realized that the hardships of April rain could also make for a new start, however soggy.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

These lyrics call to mind the chorus from Kate Bush’s 1985 track “Running Up That Hill”, which also focuses on the possibility of understanding in a relationship:

And if I only could
I’d make a deal with God
And I’d get him to swap our places
Be running up that road
Be running up that hill

While Bush’s song thinks the way to get to real understanding between men and women is to literally switch places, Twigs proposes that more open communication could get us there too.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

These lyrics have an echo, intended or not, of lines from “Two Weeks,” the song that first brought FKA Twigs to fame:

You say you’re lonely, I say you’ll think about it

In “Two Weeks” the shared loneliness was part of a seduction at the start of a new (forbidden) relationship. In “Home With You,” the unknown, unshared loneliness is a sign that the connection between two people isn’t what it once was.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

FKA Twigs' most explicit exploration of the Mary Magdalene story in the Bible, which also gives the whole album MAGDALENE its name. Mary Magdalene was a close follower who traveled with Jesus and was present. Due to a misreading by Pope Gregory I in 581, for a long time Mary Magdalene was confused with a “sinful woman” in Luke 7:36. Though this misreading was addressed by Pope Paul VI in 1969, the view of Mary as a prostitute persists in pop culture. Twigs plays with all of these different views of Magdalene, and the notion of intimacy.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

This opening line calls to mind the classic 1988 song “This Woman’s Work” by Kate Bush, another artist who, like Twigs, found success even as she explored more avant-garde sounds and had a strong falsetto.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

These lines, and the song’s title, reference lines from Lauryn Hill’s 1998 classic “Ex-Factor”:

(Cry) Cry for me, cry for me
You said you’d die for me

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

“Ex-factor” samples and interpolations are nearly a genre to themselves, and Camila Cabello also references these specific lines on her 2019 single “Cry For Me.”

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Often kids kick off a game of Tag by calling out “Not it!” Harlow turns the phrase to establish that his opponent is lame.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Taylor Swift really did rent an apartment on Cornelia Street in New York City. She moved to 23 Cornelia Street in June 2016 while doing renovations on her Tribeca apartment.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

“Cornelia Street” focuses on the central role the Manhattan street played in Taylor’s memories of an early relationship. Taylor really did rent an apartment on the street in 2016 and 2017 while she was renovating her Tribeca apartment.

The end of the song features the sound of a windshield wiper, to bring the scene in “the backseat” of a car to life.

This video is processing – it'll appear automatically when it's done.