The Dungeon Lyrics

And this place our forefathers made for man!
This is the process of our love and wisdom,
To each poor brother who offends against us—
Most innocent, perhaps—and what if guilty?
Is this the only cure? Merciful God! 5
Each pore and natural outlet shrivell'd up
By Ignorance and parching Poverty,
His energies roll back upon his heart,
And stagnate and corrupt; till chang'd to poison,
They break out on him, like a loathsome plague-spot;
Then we call in our pamper'd mountebanks—
And this is their best cure! uncomforted
And friendless solitude, groaning and tears,
And savage faces, at the clanking hour,
Seen through the steams and vapour of his dungeon,
By the lamp's dismal twilight! So he lies
Circled with evil, till his very soul
Unmoulds its essence, hopelessly deform'd
By sights of ever more deformity!


With other ministrations thou, O Nature!
Healest thy wandering and distemper'd child:
Thou pourest on him thy soft influences,
Thy sunny hues, fair forms, and breathing sweets,
Thy melodies of woods, and winds, and waters,
Till he relent, and can no more endure
To be a jarring and a dissonant thing,
Amid this general dance and minstrelsy;
But, bursting into tears, wins back his way,
His angry spirit heal'd and harmoniz'd
By the benignant touch of Love and Beauty.

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About

Genius Annotation

In the first stanza, Coleridge describes the spiritually eroding effect of long-term imprisonment on the human being. A convicted criminal “lies / Circled with evil” (16-17) until the soul “Unmoulds its essence” (18). A dungeon does not reform a criminal, but rather insidiously inflicts permanent damage on the captive. This is because the soul is “deform’d / By sights of … deformity!” (19).

In the second stanza, Coleridge, through apostrophe, invokes Nature to heal criminals (“each poor brother who offends against us” [3]) by the introduction of “soft influences” (22) which will cause the criminal to “relent” (25) and cease to be “a jarring and a dissonant thing / Amid this general dance and minstrelsy” (26-27).

In both the first (lamenting) and second (invoking) stanzas, the underlying idea is that the inner-world of human behavior is influenced by, and consequently, imitates, the actual physical surroundings of the body. Instead of the well-known platitude “you are what you eat,” Coleridge is suggesting that “you are where you live.” Beyond the question of their guilt or innocence, it would be better for the long-term development of criminals to house them in “Nature” rather than in a prison-cell.

Q&A

Find answers to frequently asked questions about the song and explore its deeper meaning

  1. 11.
    Life
  2. 17.
    Pain
  3. 24.
    Honour
  4. 28.
    Music
  5. 32.
    A Wish
  6. 36.
    Ode
  7. 44.
    Kisses
  8. 69.
    Elegy
  9. 80.
    Burke
  10. 84.
    Pitt
  11. 95.
    Pity
  12. 109.
    Verses
  13. 126.
    The Dungeon
  14. 158.
    Names
  15. 164.
    Mahomet
  16. 179.
    To Asra
  17. 195.
    Sonnet
  18. 196.
    Phantom
  19. 209.
    Psyche
  20. 222.
    A Hymn
  21. 229.
    Limbo
  22. 242.
    Song
  23. 256.
    Cologne
  24. 266.
    Desire
  25. 270.
    Reason
  26. 276.
    Epitaph
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