Ezra Pound – Piere Vidal OldFollow
It is of Piere Vidal, the fool par excellence of all Provence, of
whom the tale tells how he ran mad, as a wolf, because of his love
for Loba of Penautier, and how men hunted him with dogs through
the mountains of Cabaret and brought him for dead to the dwelling
of this Loba (she-wolf) of Penautier, and how she and her Lord
had him healed and made welcome, and he stayed some time at
that court. He speaks:
When I but think upon the great dead days
And turn my mind upon that splendid madness,
Lo! I do curse my strength
And blame the sun his gladness;
For that the one is dead
And the red sun mocks my sadness.
Behold me, Vidal, that was fool of fools!
Swift as the king wolf was I and as strong
When tall stags fled me through the alder brakes,
And every jongleur knew me in his song,
And the hounds fled and the deer fled
And none fled over long.
Even the grey pack knew me and knew fear.
God! how the swiftest hind's blood spurted hot
Over the sharpened teeth and purpling lips!
Hot was that hind's blood yet it scorched me not
As did first scorn, then lips of the Penautier!
Aye ye are fools, if ye think time can blot
From Piere Vidal's remembrance that blue night,
God! but the purple of the sky was deep!
Clear, deep, translucent, so the stars me seemed
Set deep in crystal; and because my sleep
—Rare visitor—came not,—the Saints I guerdon
For that restlessness—Piere set to keep
One more fool's vigil with the hollyhocks.
Swift came the Loba, as a branch that's caught,
Tom, green and silent in the swollen Rhone,
Green was her mantle, close, and wrought
Of some thin silk stuff that's scarce stuff at all,
But like a mist wherethrough her white form fought,
And conquered! Ah God! conquered!
Silent my mate came as the night was still.
Speech? Words? Faugh! Who talks of words and love?!
Hot is such love and silent,
Silent as fate is, and as strong until
It faints in taking and in giving all.
Stark, keen, triumphant, till it plays at death.
God! she was white then, splendid as some tomb
High wrought of marble, and the panting breath
Ceased utterly. Well, then I waited, drew,
Half-sheathed, then naked from its saffron sheath
Drew full this dagger that doth tremble here.
Just then she woke and mocked the less keen blade.
Ah God, the Loba! and my only mate!
Was there such flesh made ever and unmade!
God curse the years that turn such women grey!
Behold here Vidal, that was hunted, flayed,
Shamed and yet bowed not and that won at last.
And yet I curse the sun for his red gladness,
I that have known strath, garth, brake, dale,
And every run-way of the wood through that great madness,
Behold me shrivelled as an old oak's trunk
And made men's mock'ry in my rotten sadness!
No man hath heard the glory of my days:
No man hath dared and won his dare as I:
One night, one body and one welding flame!
What do ye own, ye niggards! that can buy
Such glory of the earth? Or who will win
Such battle-guerdon with his "prowesse high"?
O Age gone lax! O stunted followers,
That mask at passions and desire desires,
Behold me shrivelled, and your mock of mocks;
And yet I mock you by the mighty fires
That burnt me to this ash.
* * * * * * *
Ah! Cabaret! Ah Cabaret, thy hills again!
* * * * * * *
Take your hands off me!... [Sniffing the air.
Ha! this scent is hot!
Edit the description to add:
- Historical context: the work's place in history, how it was received
- A summary of the work's overall themes (example: "Here, Byron evokes the classic struggle between virtue and temptation...")
- A description of the work's overall style and tone