A Tale of Two Cities (Chap 2.11) Lyrics

"I am not going to guess, at five o'clock in the morning, with my brains frying and sputtering in my head. If you want me to guess, you must ask me to dinner."

"Well then, I'll tell you," said Stryver, coming slowly into a sitting posture. "Sydney, I rather despair of making myself intelligible to you, because you are such an insensible dog."

"And you," returned Sydney, busy concocting the punch, "are such a sensitive and poetical spirit—"

"Come!" rejoined Stryver, laughing boastfully, "though I don't prefer any claim to being the soul of Romance (for I hope I know better), still I am a tenderer sort of fellow than you."

"You are a luckier, if you mean that."

"I don't mean that. I mean I am a man of more—more—"

"Say gallantry, while you are about it," suggested Carton.

"Well! I'll say gallantry. My meaning is that I am a man," said Stryver, inflating himself at his friend as he made the punch, "who cares more to be agreeable, who takes more pains to be agreeable, who knows better how to be agreeable, in a woman's society, than you do."

"Go on," said Sydney Carton.

"No; but before I go on," said Stryver, shaking his head in his bullying way, "I'll have this out with you. You've been at Doctor Manette's house as much as I have, or more than I have. Why, I have been ashamed of your moroseness there! Your manners have been of that silent and sullen and hangdog kind, that, upon my life and soul, I have been ashamed of you, Sydney!"

"It should be very beneficial to a man in your practice at the bar, to be ashamed of anything," returned Sydney; "you ought to be much obliged to me."

"You shall not get off in that way," rejoined Stryver, shouldering the rejoinder at him; "no, Sydney, it's my duty to tell you—and I tell you to your face to do you good—that you are a devilish ill-conditioned fellow in that sort of society. You are a disagreeable fellow."

Sydney drank a bumper of the punch he had made, and laughed.
"Look at me!" said Stryver, squaring himself; "I have less need to make myself agreeable than you have, being more independent in circumstances. Why do I do it?"

"I never saw you do it yet," muttered Carton.

"I do it because it's politic; I do it on principle. And look at me! I get on."

"You don't get on with your account of your matrimonial intentions," answered Carton, with a careless air; "I wish you would keep to that. As to me—will you never understand that I am incorrigible?"

He asked the question with some appearance of scorn.

"You have no business to be incorrigible," was his friend's answer, delivered in no very soothing tone.

"I have no business to be, at all, that I know of," said Sydney Carton. "Who is the lady?"

"Now, don't let my announcement of the name make you uncomfortable, Sydney," said Mr. Stryver, preparing him with ostentatious friendliness for the disclosure he was about to make, "because I know you don't mean half you say; and if you meant it all, it would be of no importance. I make this little preface, because you once mentioned the young lady to me in slighting terms."
"I did?"

"Certainly; and in these chambers."

Sydney Carton looked at his punch and looked at his complacent friend; drank his punch and looked at his complacent friend.

"You made mention of the young lady as a golden-haired doll. The young lady is Miss Manette. If you had been a fellow of any sensitiveness or delicacy of feeling in that kind of way, Sydney, I might have been a little resentful of your employing such a designation; but you are not. You want that sense altogether; therefore I am no more annoyed when I think of the expression, than I should be annoyed by a man's opinion of a picture of mine, who had no eye for pictures: or of a piece of music of mine, who had no ear for music."

Sydney Carton drank the punch at a great rate; drank it by bumpers, looking at his friend.

"Now you know all about it, Syd," said Mr. Stryver. "I don't care about fortune: she is a charming creature, and I have made up my mind to please myself: on the whole, I think I can afford to please myself. She will have in me a man already pretty well off, and a rapidly rising man, and a man of some distinction: it is a piece of good fortune for her, but she is worthy of good fortune. Are you astonished?"
Carton, still drinking the punch, rejoined, "Why should I be astonished?"

"You approve?"

Carton, still drinking the punch, rejoined, "Why should I not approve?"

"Well!" said his friend Stryver, "you take it more easily than I fancied you would, and are less mercenary on my behalf than I thought you would be; though, to be sure, you know well enough by this time that your ancient chum is a man of a pretty strong will. Yes, Sydney, I have had enough of this style of life, with no other as a change from it; I feel that it is a pleasant thing for a man to have a home when he feels inclined to go to it (when he doesn't, he can stay away), and I feel that Miss Manette will tell well in any station, and will always do me credit. So I have made up my mind. And now, Sydney, old boy, I want to say a word to you about your prospects. You are in a bad way, you know; you really are in a bad way. You don't know the value of money, you live hard, you'll knock up one of these days, and be ill and poor; you really ought to think about a nurse."

The prosperous patronage with which he said it, made him look twice as big as he was, and four times as offensive.

"Now, let me recommend you," pursued Stryver, "to look it in the face. I have looked it in the face, in my different way; look it in the face, you, in your different way. Marry. Provide somebody to take care of you. Never mind your having no enjoyment of women's society, nor understanding of it, nor tact for it. Find out somebody. Find out some respectable woman with a little property—somebody in the landlady way, or lodging-letting way—and marry her, against a rainy day. That's the kind of thing for you. Now think of it, Sydney."

"I'll think of it," said Sydney.

How to Format Lyrics:

  • Type out all lyrics, even repeating song parts like the chorus
  • Lyrics should be broken down into individual lines
  • Use section headers above different song parts like [Verse], [Chorus], etc.
  • Use italics (<i>lyric</i>) and bold (<b>lyric</b>) to distinguish between different vocalists in the same song part
  • If you don’t understand a lyric, use [?]

To learn more, check out our transcription guide or visit our transcribers forum

About

Genius Annotation

Like so much of ATTC, this chapter is meant to contrast sharply with the one before it. While the last chapter was all about family loyalty, unconditional love, and self-sacrifice, this chapter is all about selfishness, double-dealing, and self-reliance. Stryver is meant to come across as a loathsome character, and Carton does too, but as we go on, we’re going to see some glimmers of humanity in Sydney.

Q&A

Find answers to frequently asked questions about the song and explore its deeper meaning

  1. 17.
    A Tale of Two Cities (Chap 2.11)
Comments