Antigone (Scene 2 & Ode 2) Lyrics

**SCENE II**
[*Re-enter SENTRY leading ANTIGONE.*]

CHORAGOS:
What does this mean? Surely this captive woman
Is the Princess, Antigone.
Why should she be taken?

SENTRY:
Here is the one who did it! We caught her
In the very act of burying him. ––Where is Creon?

CHORAGOS:
Just coming from the house.
[*Enter CREON, C.*]

CREON:
What has happened? 305
Why have you come back so soon?

SENTRY:
O King,
A man should never be too sure of anything:
I would have sworn
That you’d not see me here again: your anger
Frightened me so, and the things you threatened me with;
But how could I tell then
That I’d be able to solve the case so soon?
No dice-throwing this time: I was only too glad to come!
Here is this woman. She is the guilty one:
We found her trying to bury him.
Take her, then; question her; judge her as you will.
I am through with the whole thing now, and glad of it.
CREON:
But this is Antigone! Why have you brought her here?

SENTRY:
She was burying him, I tell you!

CREON: [*Severely.*]
Is this the truth?

SENTRY:
I saw her with my own eyes. Can I say more?

CREON:
The details: come, tell me quickly!


SENTRY:
It was like this:
After those terrible threats of yours King.
We went back and brushed the dust away from the body.
The flesh was soft by now, and stinking,
So we sat on a hill to windward and kept guard.
No napping happened until the white round sun
Whirled in the center of the round sky over us:
Then, suddenly,
A storm of dust roared up from the earth, and the sky
Went out, the plain vanished with all its trees

In the stinging dark. We closed our eyes and endured it.
The whirlwind lasted a long time, but it passed;
And then we looked, and there was Antigone!
I have seen
A mother bird come back to a stripped nest, heard Her crying bitterly a broken note or two
For the young ones stolen. Just so, when this girl
Found the bare corpse, and all her love’s work wasted,
She wept, and cried on heaven to damn the hands 340
That had done this thing

And then she brought more dust
And sprinkled wine three times for her brother’s ghost.
We ran and took her at once. She was not afraid,
Not even when we charged her with what she had done.
She denied nothing.
And this was a comfort to me,
And some uneasiness: for it is a good thing
To escape from death, but it is no great pleasure
To bring death to a friend.
Yet I always say
There is nothing so comfortable as your own safe skin!

CREON: [*Slowly, dangerously.*]
And you, Antigone,
You with your head hanging––do you confess this thing?

ANTIGONE:
I do. I deny nothing.

CREON: [*To SENTRY:*]
You may go.
[*Exit SENTRY. To ANTIGONE:*]
Tell me, tell me briefly:
Had you heard my proclamation touching this matter?

ANTIGONE:
It was public. Could I help hearing it?

CREON:
And yet you dared defy the law.

ANTIGONE:
I dared.
It was not God’s proclamation. That final Justice
That rules the world below makes no such laws.
Your edict, King, was strong,
But all your strength is weakness itself against
The immortal unrecorded laws of God.

They are not merely now: they were, and shall be,
Operative for ever, beyond man utterly. I knew I must die, even without your decree:
I am only mortal. And if I must die
Now, before it is my time to die,
Surely this is no hardship: can anyone
Living, as I live, with evil all about me,
Think Death less than a friend? This death of mine
Is of no importance; but if I had left my brother
Lying in death unburied, I should have suffered.
Now I do not.
You smile at me. Ah Creon,
Think me a fool, if you like; but it may well be
That a fool convicts me of folly.
CHORAGOS:
Like father, like daughter: both headstrong, deaf to reason!
She has never learned to yield.
She has much to learn.

The inflexible heart breaks first, the toughest iron
Cracks first, and the wildest horses bend their necks
At the pull of the smallest curb.

Pride? In a slave?
This girl is guilty of a double insolence,
Breaking the given laws and boasting of it.
Who is the man here,
She or I, if this crime goes unpunished?

Sister’s child, or more than sister’s child,
Or closer yet in blood––she and her sister

Win bitter death for this!
[*To servants:*]
Go, some of you,
Arrest Ismene. I accuse her equally.
Bring her: you will find her sniffling in the house there.
Her mind’s a traitor: crimes kept in the dark
Cry for light, and the guardian brain shudders:
But now much worse than this
Is brazen boasting of barefaced anarchy!

ANTIGONE:
Creon, what more do you want than my death?

CREON:
Nothing.
That gives me everything.

ANTIGONE:
Then I beg you: kill me. This talking is a great weariness: your words
Are distasteful to me, and I am sure that mine
Seem so to you. And yet they should not seem so:
I should have praise and honor for what I have done.
All these men here would praise me
Were their lips not frozen shut with fear of you.

[*Bitterly.*]
Ah the good fortune of kings,
Licensed to say and do whatever they please!

CREON:
You are alone here in that opinion.

ANTIGONE:
No, they are with me. But they keep their tongues in leash.

CREON:
Maybe. But you are guilty, and they are not.

ANTIGONE:
There is no guilt in reverence for the dead.

CREON:
But Eteocles––was he not your brother too?

ANTIGONE:
My brother too.

CREON:
And you insult his memory?

ANTIGONE: [*Softly.*]
The dead man would not say that I insult it.

CREON:
He would: for you honor a traitor as much as him.

ANTIGONE:
His own brother, traitor or not, and equal in blood.

CREON:
He made war on his country. Eteocles defended it.

ANTIGONE:
Nevertheless, there are honors due all the dead.

CREON: But not the same for the wicked as for the just.

ANTIGONE:
Ah Creon, Creon,
Which of us can say what the gods hold wicked?

CREON:
An enemy is an enemy, even dead.

ANTIGONE:
It is may nature to join in love, not hate.

CREON: [*Finally losing patience.*]
Go join them, then; if you must have your love,
Find it in hell!

CHORAGOS:
But see, Ismene comes:
[*Enter ISMENE, guarded.*]
Those tears are sisterly, the cloud
That shadows her eyes rains down gentle sorrow.

CREON:
You too, Ismene,
Snake in my ordered house, sucking my blood
Stealthily––and all the time I never knew
That these two sisters were aiming at my throne!
Ismene,
Do you confess your share in this crime, or deny it?
Answer me.

ISMENE:
Yes, if she will let me say so. I am guilty.

ANTIGONE: [*Coldly.*]
No, Ismene. You have no right to say so.
You would not help me, and I will not have you help me.

ISMENE:
But now I know what you meant; and I am here
To join you, to take my share of punishment.

ANTIGONE:
The dead man and the gods who rule the dead 435
Know whose act this was. Words are not friends.

ISMENE:
Do you refuse me, Antigone? I want to die with you:
I too have a duty that I must discharge to the dead.

ANTIGONE:
You shall not lessen my death by sharing it.

ISMENE:
What do I care for life when you are dead?

ANTIGONE:
Ask Creon. You’re always hanging on his opinions.

ISMENE:
You are laughing at me. Why, Antigone?

ANTIGONE:
It’s a joyless laughter, Ismene.

ISMENE:
But can I do nothing?

ANTIGONE:
Yes. Save yourself. I shall not envy you.
There are those who will praise you; I shall have honor, too.


ISMENE:
But we are equally guilty!

ANTIGONE:
No more, Ismene.
You are alive, but I belong to Death.

CREON: [*To the Hook:*]
Gentlemen, I beg you to observe these girls:
One has just now lost her mind; the other,
It seem, has never had a mind at all.

ISMENE:
Grief teaches the steadiest minds to waver, King.

CREON:
Yours certainly did, when you assumed guild with the guilty!

ISMENE:
But how could I go on living without her?

CREON:
You are.
She is already dead.

ISMENE:
But your own son’s bride!

CREON:
There are places enough for him to push his plow.
I want no wicked women for my sons!

ISMENE:
O dearest Haimon, how your father wrong you!

CREON:
I’ve had enough of your childish talk of marriage!

CHORAGOS:
Do you really intend to steal this girl from your son?

CREON:
No; Death will do that for me.

CHORAGOS:
Then she must die?

CREON: [*Ironically.*]
You dazzle me.
––But enough of this talk!
[*To GUARDS:*]
You, there, take them away and guard them well:
For they are but women, and even brave men run
When they see Death coming.
[*Exeunt ISMENE, ANTIGONE, and GUARDS.*]

**ODE II**

CHORUS: [Strophe 1]
Fortunate is the man who has never tasted God’s vengeance! 465
Where once the anger of heaven has struck, that house is shaken
For ever: damnation rises behind each child
Like a wave cresting out of the black northeast,
When the long darkness under sea roars up
And bursts drumming death upon the windwhipped sand.


[Antistrophe 1]
I have seen this gathering sorrow from time long past
Loom upon Oedipus’ children: generation from generation
Takes the compulsive rage of the enemy god.
So lately this last flower of Oedipus’ line
Drank the sunlight! but now a passionate word
And a handful of dust have closed up all its beauty


[Strophe 2]
What mortal arrogance
Transcends the wrath of Zeus?
Sleep cannot lull him, nor the effortless long months
Of the timeless gods: but he is young for ever,
And his house is the shining day of high Olympos.
All that is and shall be,
And all the past, is his.
No pride on earth is free of the curse of heaven.

[Antistrophe 2]
The straying dreams of men
May bring them ghosts of joy:
But as they drowse, the waking embers burn them;
Or they walk with fixed eyes, as blind men walk.
But the ancient wisdom speaks for our own time:
Fate works most for woe
With Folly’s fairest show.
Man’s little pleasure is the spring of sorrow.

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About

Genius Annotation

Antigone is the chronological conclusion of Sophocles’s Theban Trilogy, after Oedipus Rex (Oedipus the King) and Oedipus at Colonus. While all three plays detail the reign and downfall of Oedipus and his family, it is likely that they were not written as a series, and some scholars believe that Antigone is meant to stand alone or as part of another trilogy entirely.

Antigone is interpreted today as a criticism of gender roles, government intervention in familial matters, and the role of the individual vs. the community.

In Scene 2, Antigone is brought before Creon to answer for burying her brother against his orders. The two debate the authority of Creon’s edict vs. the laws of the gods, which require Polyneices’s burial. Creon sentences Antigone to death, despite the chorus and sentry’s disapproval. Antigone also confronts Ismene, who attempts to share in her sister’s punishment despite her refusal to assist in her disobedience.

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